In Literary
Criticism, Bressler describes New Historicism as an evolution of Old
Historicism and a reaction to New Criticism.
New Historicism does not accept New Criticism’s claim that there is only
one accurate interpretation of a poem.
It also does not agree that literature is merely a reflection of history
or that history simply provides background information for the interpretation
of a poem.
New Historicists use history to focus on human
experiences and actions that are unified in some way. They also proclaim that history itself is
subjective based on the biases of authors, and they take this into account when
formulating literary critiques. New
Historicists consider history in “relation to culture and society.” Greenblatt argued that society and art have a
reciprocal relationship where each affects the other. This relationship also exists between readers
and poems. He also argued that New
Historicism should be called “Cultural Poetics” since its criticism is more of
a “reading practice.”
The New Historicist, Foucault, took an archaeological
approach to his literary interpretation by analyzing the different eras of
history and how each era had its own perceptions of what to value and what
defined truth. On the other hand, Geertz
took an anthropological approach by placing more emphasis on history and
cultural structures. Geertz also
concentrated on aspects of history which others may have deemed trivial to
explore contradictory beliefs within a culture.
Geertz showed that all aspects of a culture have meaning and should be
part of literary discourse.
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